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Category: Art + Architecture

598. remembering jorge kaudi

In 2009, Robert found one of the few copies available of a book by Jorge Kaudi titled “Cementerio de la Recoleta — Guía de Visitantes,” the first of its kind ever written about the cemetery. In mid-2023, a group of researchers decided to re-edit this trailblazing text, created when no one believed in the cultural & touristic potential of the necropolis. Surprisingly, the process of that re-edition began far from Recoleta, in a place near the city of Buenos Aires called San Isidro. María Laje, one of the editors along with Graciela Blanco & Susana Gesualdi, tells us the story.

“It all began thanks to the curiosity of Graciela Blanco, who researches the cemetery of San Isidro. In the decade of the 1950s, a tragedy took place there: twelve girls died in a factory fire. They were buried together in a mausoleum funded by donations from the general public, & it has a very beautiful (statue of an) angel. Graciela has written much about the history of this event over the years & was looking to find who had donated the statue. About a year & a half ago, she discovered that the donor was Jorge Kaudi, president of the Argentina Federation of Pétanque.”

“From that moment,” continues Laje, “Graciela looked into who Kaudi was & discovered that he was a builder of funeral vaults who had written a guidebook to Recoleta Cemetery. She found a reference to Kaudi in a book by Elba Villafañe Bombal titled ‘Intinerario histórico de Recoleta‘”.

“At that point, Susana Gesualdi accessed Kaudi’s book in the Museo Hernández, & I transcribed it on my computer. We copied it word for word, we didn’t correct any single part,” affirms María Laje.

Recoleta Cemetery, Buenos Aires, Jorge Kaudi
Invited guest, María Laje, Susana Gesualdi & Graciela Blanco in the presentation of Kaudi’s book, Recoleta Cemetery. Image courtesy of Alicia Rebollar.

Life story

“Once the book had been found, we needed to uncover more biographical information about Kaudi. Oscar de Masi (heritage specialist & former president of the National Commission of Monuments, Places & Historical Assets) gave Susana a tip: Kaudi’s date of death. With this information we went to newspaper archives to find his obituary & to see if there was any other info. Kaudí had donated his publication to various newspapers, so we searched in Clarín & La Nación but found nothing,” states Laje.

This all changed when “someone appeared from the Family Search website who wanted to help provide information. I commented that were were investigating the life of Kaudi, & this person took it upon themselves to find him on that webpage. That’s how we found his date of birth & a detail… that he had been born in Montevideo, Uruguay. We asked a friend there to obtain a copy of his birth certificate for us.”

“Afterwards,” Laje continues, “we began searching for vaults built by Kaudi in Recoleta. Susana found a few, while between Graciela & myself, we combed through the cemetery several times. This is how we found 49 vaults signed by him, although we’re sure that more exist.”

Recoleta Cemetery, Buenos Aires, Jorge Kaudi
Graciela Blanco, Susana Gesualdi & María Laje in the presentation of Kaudi’s book, Recoleta Cemetery. Image courtesy of Any Contín.

A pioneer

Concerning the guidebook previously mentioned, Laje points out that “it’s marvelous. Kaudi speaks 70 years ago about the importance of cemeteries like we do today. About how important the cemetery is, not as a final resting place, but somewhere you have to bring school groups, exactly the same as we say now. It’s unbelievable how he has fallen out of public memory.”

“This guy’s merit is remarkable, just for the effort in making that guidebook. No one had written anything before him, he was a pioneer,” continues Laje. She adds, “I believe we are going to do justice to the memory of Kaudi. Apart from your publication (Laje refers to our blog post mentioned & linked above), we found nothing else… except a reference that he had been president of the Argentine Federation of Pétanque. Recovering his life story was difficult. In fact, to this day we don’t know if he had any children. When he passed away, his wife & other family members appear in the obituary, but there is no mention of children.”

María Laje concludes, “It was an interesting undertaking that we’re satisfied with, mainly for remembering Kaudi & giving him his due recognition. In addition, we’re going to propose to Recoleta, where they are developing themed guided visits, that one should be about the works of Jorge Kaudi.”


The book “Cementerio de la Recoleta — Guía de Visitantes” by Jorge Kaudi originally appeared in 1955 with a second edition following one year later. That 1956 publication was the source for the reedition by those researchers mentioned above, & first appeared in mid-2023 as PDF available for free download. This year a physical edition was presented in Recoleta Cemetery on Saturday, 03 Feb 2024.

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we’ll show you around…

Endless Mile, Buenos Aires, Recoleta Cemetery guide

A list of occupants inside Recoleta Cemetery reads like a Who’s Who of Argentine history & society. The elite, an aspiring middle class, friends, enemies & those who contributed to the general welfare of Argentina all share space in a miniature city of mausoleums & monuments.

During this self-guided visit, you’ll stroll past Presidents & politicians (some naughty, some nice), Nobel Prize winners, literary greats, entertainers, scientists, military leaders, sports figures & even some who died tragically. The cemetery’s most famous resident, Eva María Duarte de Perón —simply Evita to her devotées— even had a bizarre post-mortem journey before finally resting in peace in Recoleta.

Want to learn more? Get all the details in our recommended map & pdf guide. The authors of this blog are proud to have guided more than 1,500 people through Recoleta Cemetery… join in!

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591. alcorta

Buenos Aires, Recoleta Cemetery, Alcorta

Occupying a massive mausoleum along a main walkway, Amancio Alcorta (Sr.) descended from a long line of city founders in north & central Argentina. He was born in Santiago del Estero five years before Argentina declared independence from Spain & gradually moved closer & closer to Buenos Aires… first studying literature in Catamarca, followed by music studies in Córdoba. A law degree moved him in the direction of politics, occupying a number of positions before being elected Senator of his native province.

However Amancio was not your average politician; he was part of a generation who balanced political careers with the arts. One of the first Argentine-born composers, many of his works have been unfortunately lost. But surviving pieces incorporate early folklore rhythms as well as influence from Rossini, popular during his lifetime. Amancio was so beloved that he takes the forefront in a monument near the center of the cemetery:

Buenos Aires, Recoleta Cemetery, Alcorta

Amancio had six children, two of which are depicted behind him: Santiago Damiano Alcorta Palacio on the left & namesake Amancio Mariano Alcorta Palacio on the right.

Buenos Aires, Recoleta Cemetery, Alcorta

Amancio (Jr.) followed in his father’s footsteps, studying law & becoming a prominent politician. One of his distinctions was serving as the Minister for Foreign Relations under four different presidents, almost continuously from 1890 until his death in 1902.

Some of Amancio (Sr.)’s musical abilities must have been genetic because his grandson, Alberto Williams, went on to be one of the most recognized pianists of his generation & founded the Music Conservatory in Buenos Aires. Williams, who passed away in 1952, is also buried in the Alcorta family mausoleum:

Buenos Aires, Recoleta Cemetery, Alcorta, Alberto Williams

Another important figure, Carlos Maschwitz, is also buried here. He married a granddaughter of Amancio (Sr.) & improved the national train network as Minister of Public Works alongside Emilio Mitre. He died in an automobile accident while driving from Paris to Bordeaux & has a town near Tigre named after him:

Buenos Aires, Recoleta Cemetery, Alcorta, Carlos Maschwitz
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585. ossorio arana ◊

Born in the western outskirts of Buenos Aires in 1902, Arturo Ossorio Arana embarked on a military career that would lead him to participate in several military coups. Staunchly anti-peronista, he would also be complicit in hiding Eva Perón’s embalmed corpse… proof that friends & enemies rest side by side in Recoleta Cemetery.

In 1951, the Minister of the Army blamed Ossorio Arana for leading a group of young officers in a revolt against the Perón government. Relieved from duty, he tried to oust Perón again in 1955 with help from Pedro Aramburu & Eduardo Lonardi. Resulting civilian casualties were high after rogue military planes bombed Plaza de Mayo. However, Perón had been tipped off & took refuge in army headquarters just in time. A few months later, the military finally succeeded in taking control & attempted to wipe all traces of Peronism from Argentina.

As part of that plan, Ossorio Arana held the deceased Eva Perón captive for a while… but you’ll have to get the map/guidebook for that story! In the end, Ossorio Arana was more known for re-establishing martial law as Commander-in-Chief under Aramburu’s de facto presidency. In 1956, he gave permission to execute by firing squad a group of young people who had opposed the military government. Seven of 12 people shot would survive & later become immortalized in Rodolfo Walsh’s Operación Massacre.

The tomb of Ossorio Arana is striking with its gigantic, oversized statue of Argentina. A brilliant work by sculptor José Fioravanti, she represents Liberty with her sword ready for action. Ossorio Arana died in Buenos Aires in 1967, but the place & date on his tomb —Córdoba, 16 Sep 1955— correspond to the revolution that forced Perón to flee Argentina. Engraved scales represent Ossorio Arana’s belief in military justice.

His funeral drew a large crowd, with a multitude of military speakers & a large escort. La Nación reported that a couple people were arrested for public disturbance… one even shouting “Long live democracy!” Big thanks to Nicolás Colombo for sending us the images below… he runs the Misterios de La Plata blog & Facebook group.

Given his control over national affairs, memorials (like the one shown below) were common for several years after Ossorio Arana’s death. On the first anniversary, former President Aramburu gave a speech that was later engraved on the left side of the tomb:

“…If you fear the risks of Liberty, If you find safety in the obedience that despots impose… Do not stand before the tomb of this soldier!”

Image courtesy of the Centro de Documentación e Investigación de la Cultura de Izquierdas, 1972.
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584. poli – antonio riva

What a stunning statue of an angel gazing towards the heavens by Luigi Trinchero. Invited to Argentina by fellow Italian artist Victor de Pol in 1889, Trinchero directed a ceramics factory in La Plata that ultimately did not succeed. Soon after its closure, he returned to Italy.

However, Trinchero came back to Argentina at the insistence of Carlos Morra & this time would succeed. He established a workshop to produce ornamental sculpture… exactly what Buenos Aires needed as many aristocratic porteños rekindled their European origins & a building boom began. Trinchero decorated the Centro Naval, churches, schools & most famously the Teatro Colón.

A descendant of Antonio Riva has generously shared his family history with us. A portion of his comment is copied here. Thanks, Agustín!

Antonio Riva, whose name is featured on top of the mausoleum’s door is my great great grandfather. He was a wealthy Genovese born (who came to Argentina maybe in the 1860s) importer and salesman of food stocks in the late 19th and the early 20th century. He probably commissioned the sculpture from Trinchero at the same time the sculptor was famous for doing work in the Teatro Colon in Buenos Aires. The rest of the mausoleum was most likely built by other Italian workers who more or less made these in series, albeit really well. Antonio Riva’s daughter, Emma Riva, who was fond of art and Italian artists – sponsoring painters such as Angel Della Valle – was maybe involved in picking the sculptor for the mausoleum. Emma Riva married Giulio Poli, and that is why the surname Poli was added. 

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