Beautiful panel signed by M. Pla y Vilar. Remember that morning & sunset are the best times to peek inside mausoleums to find these gems. To see more examples, type “stained glass” into the search bar. Happy holidays to everyone, & thanks very much for all the support this year. Hope you’ve enjoyed Recoleta Cemetery as much as we do!
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Raúl Barón Biza (1899-1964) was many things: writer, cynic, millionaire, politician, lover, pornographer & a victim of suicide. Many online sources dig into his fascinating life, but for this post we’ll limit ourselves to his first love, her tragedy & her burial.
Barón Biza met his first wife, the Swiss actress Myriam Stefford (née Rosa Martha Rossi Hoffmann) during a trip to Europe, & they married on 28 Aug 1930. Myriam grew bored with her new life running a large cattle ranch, so she began taking flight classes. In mid-August 1931 she announced that she was going to visit all 14 provinces in Argentina by airplane. Below is an excerpt of an interview with Luis Pozzo Ardizzi of the high society magazine Caras y Caretas:
— You’re thinking of using an airplane as your method of transportation?
— Of course! I’m training now to begin a quick trip around this country that I love so much.
— Will this be a groundbreaking trip?
— I don’t know –she says smiling– that will be for you to decide. I’m thinking about flying over all 14 provinces. And I’ll do it in my small B.F.W. airplane, with an 80 horsepower Siemens engine.
— You realize that someone else has already flown over all 14 provinces?
— I do. And with time on my side, I’ll do it as well.
— In how many days?
— She answers, smiling: If I can… in three…
— Does your airplane have a unique name?
— A modest name, because I’m starting this trip modestly. I call my airplane “Chingolo”. I want Chingolo to spread its wings for a breathtaking flight…
— Once finished, are you considering another big trip?
— Yes. I will try to show that a small plane, made for tourism, can do some interesting things.
— …?
— I’d like to try to reach North America…
— That’s a risky undertaking.
— It will be. But I’ve got enough enthusiasm to give it a go.
And after this last sentence, the charming movie star who has mastered all types of sport bids us goodbye to resume her training.
(Caras y Caretas 1715, 15 Aug 1931, pg. 18)
That “modest trip” ended tragically on August 26th, two days before Stefford’s first wedding anniversary. Chingolo II (the first had mechanical problems & had to be replaced with another plane) fell from the skies for reasons that were never known near Marayes in San Juan province. For Barón Biza the news was horrific; for the national media, who loved the aviatrix, it was catastrophic, as reflected in La Nación the next day:
Three days after the accident, Stefford (who was never mentioned as “the wife of Barón Biza”, something rare for the time) & her instructor Luis Fuchs were buried in Recoleta Cemetery. The actress/aviatrix was laid to rest in a mausoleum which then belonged to Wilfrid Barón, the father of Barón Biza. The structure was later sold to the Fabre family, & next to its current owner, the De Viñas family.
Myriam didn’t stay in Recoleta long, since Raúl Barón Biza immediately ordered the construction of the largest sepulchre in the country: a monstrous vault 82 m tall placed in the countryside of Los Cerrillos, near Alta Gracia in Córdoba province. His friend, the engineer Fausto Regino Newton, designed the concrete monument whose meaning remains unclear to many: Is it the profile of a plane’s wing, as is often said? Is it an obelisk, taller than the one in Buenos Aires as many people from Córdoba proudly claim? Or is it an Egyptian symbol of resurrection? Whatever its significance, Myriam Stefford moved there on 22 Nov 1935 & was placed under several meters of cement… that’s when legends began to circulate. It’s said that she was buried with her jewels, among them a 45-carat diamond named the “Cruz del Sur”, with Barón Biza laying traps to prevent anyone from profaning the tomb—including placing explosives—& on the very top a beacon whose light could be seen for several kilometers.
The truth is that the monument remains in place after all these years, after a second great tragedy in the life of Barón Biza: one afternoon in August 1964 in an act of rage, he threw acid on the face of his second wife, Clotilde Sabatini, & immediately afterwards shot himself in the head. He had sold the land where Stefford’s mausoleum sits in Alta Gracia many years earlier.
This is how it looks now, abandoned & alone. A project has been proposed to convert the area into a theme park about the enigmatic writer & his young wife who passed away prematurely. In the meantime, the “wing” attracts the curious, as well as architecture fans & film students… also a number of distraught people who have unfortunately committed suicide by jumping from the tallest window.
Originally, the monolith displayed the motor of Chingolo II along with many plaques but all have since been removed or stolen. The entrance to the monolith remained opened for many years, but vandalism & attempted profanation prompted officials to solder the door shut permanently. No one now climbs the hundreds of steps to reach the top; supposedly the last time was in 2008. The future of this forgotten monument remains uncertain.
Thanks to co-author Marcelo Metayer for contributing this post. The original version in Spanish (with additional text & photos) can be found on his blog: El Navegante Solitario.
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Born in 1897 in Buenos Aires, Jorge Larco left with his family at the age of six to live in Madrid where he began studying art. He was certainly influenced by works being produced by the Generación del 98 at the time & even studied under Julio Romero de Torres. After a visit to México to receive instruction from Roberto Montenegro, Larco returned to Buenos Aires in 1916. Two years later he began teaching at the Fine Arts school… where he remained until he was 54 years old.
His style of art tended toward elongated figures as seen from these examples from the 1930s: Boxeador, a self-portrait & a sketch of María Luisa:
He maintained close connections with Spanish artistic circles, as evidenced by this photograph of Larco (far left) with poet/playwright Federico García Lorca (middle) taken in 1933 or 1934:
Larco passed away in 1967, but made sure his tomb stood out in Recoleta with twin burning funeral lamps & the entire structure wrapped with large metal poppies:
The inside contains even more fantastic —if hard to appreciate— art. Two stained glass panels are difficult to visualize from the outside, but if the glass door happens to be open, peek in. Apologies for the poor quality photographs, but it’s the best we could do. One panel appears to be Mary kneeling at the foot of Jesus after descending from the cross. Another panel appears to be a monk reading the bible… St. Jerome is often portrayed with a beard, a book & a skull (among other symbols), or could this be St. Augustine? Any ideas?
Many upper-class Argentine families were proud of their Italian heritage, so quite a bit of Italian art can be found in Recoleta Cemetery. Born in a small town in Piemonte in 1837, Giulio Monteverde moved with his family to Genoa & began his artistic career there at the age of nine. A very young apprentice! Later he studied in Rome & eventually became a professor at the Academy of Fine Arts. By the 1870s, Monteverde drew critical acclaim for his statue of a young Christopher Columbus & a work titled The Genius of Franklin… a young angel holding a lightning rod.
Monteverde indirectly influenced Recoleta Cemetery by teaching two famous sculptors who would leave works inside: Victor de Pol & Lola Mora. But he would also leave one piece of his own. When the entrance gate of Recoleta Cemetery was enlarged in 1881, architect Juan Buschiazzo incorporated a chapel for families to hold a final service. Who better to decorate that chapel than the famous Monteverde? His crucifixion statue is often missed since visitors rarely stop inside. Take a moment to appreciate this wonderful work of art:
Monteverde also made one of the most recognized pieces of funerary art for the Monumental Cemetery of Staglieno in 1882 (first photo below). Often referred to as the Angel of Death or the Angel of Resurrection, a copy exists in Recoleta Cemetery on the Llambi Campbell family vault (second photo below):
He was also hired to produce a monument for the city of Buenos Aires dedicated to Giuseppe Mazzini, who fought for the unification of Italy & popular democracy. The 1879 statue can be found in Plaza Roma:
Monteverde passed away in 1917, leaving behind a legacy of art & beauty. Most of the plaster studies for his sculptures can be found today in the Gipsoteca Monteverde in his birthplace of Bistagno.
Portrait & Staglieno photo courtesy of Wikimedia Commons. Mazzini photo courtesy of Centro Virtual de Arte Argentino.
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We’ve created an album composed of 93 images from Recoleta Cemetery. Without a Pro account these photos may eventually disappear from Flickr (new owners, new storage limits), but at the moment they represent what we consider some of the best pictures taken over the years. Visit the cemetery again & again!
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