Skip to content

Category: Art + Architecture

259. defferrari ◊

In post #045, the original owners of the spectacular Art Deco/Neo-Byzantine vault pictured below had not been confirmed. Removed long ago, their family name has been cited differently in every book about the cemetery, with DeFerrari or Del Ferrari being the most common:

Defferrari, Recoleta Cemetery

Thanks to Alejandro Machado & his obsession with Buenos Aires architecture, the family name has been verified as Defferari. Machado found the following photos in a January 1925 edition of a trade magazine titled “El Arquitecto.” Zooming in, the family name is fuzzy but certainly legible. There were a couple of interior photos published as well:

Defferrari, Recoleta Cemetery

Defferrari, Recoleta Cemetery

Defferrari, Recoleta Cemetery

Defferrari, Recoleta Cemetery

Even more exciting is the discovery of the identity of the architect… another bit of lost architectural heritage recovered by Machado. Alejandro Virasoro became the most important Art Deco architect in Buenos Aires with dozens of masterpieces in the city & founded a firm which still exists today. None of Virasoro’s buildings have the same Neo-Byzantine style of his vault in Recoleta Cemetery, but they are equally impressive… like this telescopic dome on Diagonal Norte:

Alejandro Virasoro, Diagonal Norte

2 Comments

254. sebastián perelli ◊

Sebastián Perelli, Recoleta Cemetery

Artist José F.M. Garzia—who designed the Cisnetto Olivera vault in the previous post—also went a bit on the wild side with the tomb of Sebastián Perelli. Completely eclectic, Neoclassical elements mix with Art Nouveau in a big way:

Sebastián Perelli, Recoleta Cemetery

Garzia’s signature can be found by the lower left corner of the door:

Sebastián Perelli, Recoleta Cemetery

The interior is equally interesting & just as extreme as the exterior:

Sebastián Perelli, Recoleta Cemetery

Sebastián Perelli, Recoleta Cemetery

Update (02 Oct 2011): After a recent trip to San Miguel de Tucumán, I discovered that the bronze urns & light fixtures surrounding the Casa de Gobierno were also designed by José F.M. Garzia:

Argentina, San Miguel de Tucumán, Casa de Gobierno, José F.M. Garzia

Like Art Nouveau? Learn about the architects of the era, their individual styles & what makes Art Nouveau in Buenos Aires so unique with a 33-page guide from our sister site, Endless Mile.

Leave a Comment

253. cisnetto olivera ◊

Ginormous. No other word can describe the guardian angel watching over the entrance of the Cisnetto Olivera tomb. Easily standing three meters tall, the statue’s height is even more imposing viewed from the narrow walkways of the cemetery:

Cisnetto Olivera, Recoleta Cemetery

José F.M. Garzia’s signature is equally large, but L. Fontana & Scarabelli are listed as the sculptors on the right-hand side of the mausoleum:

Cisnetto Olivera, Recoleta Cemetery

Cherubs floating in the heavens decorate the door:

Cisnetto Olivera, Recoleta Cemetery

Cisnetto Olivera, Recoleta Cemetery

Carlos Cisnetto Olivera graduated from the University of Buenos Aires as one of the first civil engineers.

Update (02 Oct 2011): After a recent trip to San Miguel de Tucumán, I discovered that the bronze urns & light fixtures surrounding the Casa de Gobierno were made by José F.M. Garzia as well:

Argentina, San Miguel de Tucumán, Casa de Gobierno, José F.M. Garzia

Update (27 Aug 2022): According to comments left in 2013, Garzia was only the smelter. While we’ve not been able to confirm, the Centro de Estudios e Investigaciones Históricas de Rafaela —a small town in the province of Santa Fe— recently published the following photos they claim to be of a mausoleum in Recoleta for Guillermo Lehmann in 1912:

Argentina, mausoleo, sculpture, Guillermo Lehmann

They also state that the sculpture was designed by Luis Fontana & Juan Scarabelli from the city of Rosario… but will not name the source. As Marcelo said, “It’s not like this is a matter of national security.” 😉 Lehmann founded Rafaela in 1881 & was found dead from a gunshot wound to the head in a hotel in Buenos Aires in 1886… apparently suicide. His widow wanted Lehmann to be buried in Recoleta Cemetery, so she purchased a plot & had this mausoleum built. Later his remains would be transferred to a family tomb in the city of Esperanza & then to two locations in Rafaela.

A couple of things still don’t fit. Cisnetto Olivera died in 1918, so was Lehmann only in Recoleta for six years before moving? Seems a little ridiculous considering what this mausoleum must have cost. Also, if you compare the black & white photo to the current statue, they aren’t the same. Almost but not quite. For example, the drape of the dress around the tip of the sword is different. So are the final feathers on the top wing. The face doesn’t look the same either. Who made the final changes? When did Lehmann leave? Marcelo is working on it…

5 Comments

250. forgotten palanti?

Alejandro Machado should be thanked for continuing his quest to find forgotten & uncatalogged masterpieces by famous Buenos Aires architects. Earlier this year, he needed help finding the location of a particular vault in Recoleta Cemetery… supposedly designed by Mario Palanti, architect of the Palacio Barolo on Avenida de Mayo:

Palacio Barolo, Mario Palanti

Graduating in 1909 from the same Milanese architecture school as Virginio Colombo, early recognition of Palanti’s talent brought him to Argentina the following year. A former professor included him in the team to construct the Italian pavilion for Argentina’s centennial celebrations. A hit with the public, young Palanti opened his own studio & began designing for the porteño elite. He lived in Buenos Aires until 1929 with the exception of World War I when he volunteered to serve his native country.

According to Machado’s source material, Palanti designed the tomb of Sebastián Vasena. Big, oversized, & located on a narrow walkway, it’s easy to miss & even more difficult to photograph. A ring of cherub heads with wings decorate the dome, & two eternal flame sculptures flank a large angel on the door. Even more stunning is the interior stained glass… only visible if the light is just right:

Sebastián Vasena, Recoleta Cemetery

Sebastián Vasena, Recoleta Cemetery

Sebastián Vasena, Recoleta Cemetery

Although unsigned, Machado is still trying to confirm if the Vasena vault was in fact a Palanti creation. The same source also credits Palanti for designing the Spinetto family tomb. Could the most spectacular door in the cemetery also be the work of Palanti??

David Spinetto, Recoleta Cemetery

Update (24 Aug 2024): As it turns out, Palanti did not design the Spinetto family vault but instead oversaw its construction for Italian architect Gaetano Moretti… who could not come to Argentina at that time. More info here.

Leave a Comment

248. bh ◊

Massimiliano Bencich, Recoleta Cemetery

Another back wall gem, the tomb of Massimiliano Bencich has little to identify it other than two initials: BH. The Latin inscription doesn’t help much… “In te Domine speravimus” is a modified phrase from the hymn Te Deum meaning “Lord, in thee we have trusted.” Fortunately a single plaque gives away his full name, so the BH must stand for Bencich Hermanos—real estate investors & constructors who gave Buenos Aires some of its most iconic buildings.

Massimiliano Bencich, Recoleta Cemetery

Born in Trieste (northeastern Italy) in 1885, Massimiliano arrived in Buenos Aires in 1910… one year after his brother, Miguel Juan María Bencich. Massimiliano was three years older than Miguel but the younger sibling seemed to be the more enterprising of the pair. Miguel had experience with construction, so the brothers joined forces during the boom years of Buenos Aires. Forming Bencich Hermanos in 1915, they constructed office space & apartments for decades. One of their most recognizable buildings is on Diagonal Norte, one block from Plaza de Mayo. The second photo below was taken during restoration of the domes in 2007:

Bencich Hermanos, Diagonal Norte

Bencich Hermanos, Diagonal Norte

Another high-rise at Arroyo 841 was purchased & renovated by the Sofitel hotel chain in 2002… as seen from the Edificio Kavanagh & looking up from the main entrance:

Bencich Hermanos, Sofitel

Bencich Hermanos, Sofitel

Another sits majestically on the 800 block of Avenida Córdoba & Alfonsina Storni was its most famous resident:

Bencich Hermanos, Avenida Córdoba

Bencich Hermanos, Avenida Córdoba

Several other Bencich buildings grace the BA skyline with their interesting domes. Not to be outdone, the tomb in Recoleta Cemetery has an equally beautiful stained glass, onion-shaped dome:

Massimiliano Bencich, Recoleta Cemetery

A massive, marble casket rests inside:

Massimiliano Bencich, Recoleta Cemetery

Miguel passed away in 1965 & Massimiliano followed soon after in 1972. But only the elder brother is currently buried here… Miguel Bencich can be found in a tomb near Rufina Cambacérès. But with BH inscribed above the door & the modified Latin hymn, they likely intended to be buried together.

3 Comments