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Author: Robert

537. familia olegario v. andrade

Buenos Aires, Recoleta Cemetery, Olegario Víctor Andrade

During the period of national organization after independence from Spain, many families had to make a difficult decision: support a Confederation of provinces or a Buenos Aires-based government. Escalating into civil war, factions split between Urquiza & Rosas… in fact, many people on both sides are buried in Recoleta Cemetery & this blog dedicates a lot of text to this period. Based in the province of Entre Ríos & firm Urquiza supporters, the Andrade family was forced to leave Argentina. They made their way to neighboring Brazil where Olegario Víctor Andrade was born in 1839. After the 1853 defeat of Rosas, his family returned to Argentina & settled in the riverside town of Gualeguaychú.

Olegario finished his early studies in the nearby town of Concepción del Uruguay & became friends with a future President Julio Argentino Roca… as well as with others who would go on to become important national leaders such as Victorino de la Plaza & Eduardo Wilde. Olegario demonstrated a gift for writing poetry even at this early age, often writing about national events. Although he worked in journalism at first, he eventually moved into provincial politics. In 1859 at the age of 21, Andrade became personal secretary for President Santiago Derqui & put his pen to good use in criticizing Bartolomé Mitre & the War of the Triple Alliance.

Buenos Aires, Recoleta Cemetery, Olegario Víctor Andrade

Although his political career continued with a number of ups & downs, Andrade achieved major recognition for his poem “El nido de cóndores” which was read to the public at the Teatro Colón in 1877. This work uses an imaginary dialogue with condors to praise the crossing of the Andes by José de San Martín & his troops during independence. A monument in Plaza San Martín in Andrade’s hometown of Gualeguaychú commemorates this very poem:

Gualeguaychú, Entre Ríos, Plaza San Martín, Olegario Víctor Andrade, El Nido de Cóndores

Andrade continued to write epic historical poetry. Of note is “San Martín“, discussing the general’s move to Europe & consequent disappearance from national narrative. This poem was written when Sarmiento repatriated the general’s remains in 1877, & the section below addresses the recovery of San Martín’s rightful place in national history:

¡Salud al vencedor! ¡Salud al grande
Entre los grandes héroes! Exclamaban
Civiles turbas, militares greyes,
Con ardiente alborozo,
En la vieja ciudad de los Virreyes.–
Y el vencedor huía,
Con firme paso y actitud serena,
A confiar a las ondas de los mares
Los profundos secretos de su pena.–

La ingratitud, la envidia,
La sospecha cobarde, que persiguen
Como nubes tenaces,
Al sol del genio humano,
Fueron siguiendo el rastro de sus pasos
A través del Oceano,
Ansiosas de cerrarle los caminos
Del poder y la gloria,
¡Sin acordarse, ¡torpes! de cerrarle
El seguro camino de la historia!

……….

Here’s to the victor! Here’s to the greatest
Among all great heroes! Exclaimed
Multitudes of citizens, military troops,
With heartfelt joy,
In the old city of the Vicerroys.-
And the victor fled,
With convincing step and serene demeanor,
To trust to the waves of the seas
The deep secrets of his sorrow.-

Ingratitude, envy,
Cowardly suspicion, that followed
Like tenacious clouds,
To the sun of human genius,
They pursued the track of his footsteps
Across the Ocean,
Anxious to block the path
Of power and glory,
Without remembering, fools!, to close off
The sure path of history!

Andrade passed away from a stroke in 1882. His former high school friend Roca—then President—spoke at the funeral, & five years later Congress published a compilation of Andrade’s works. Today however, those works are unfortunately less well known as can be seen by the poor condition of his family mausoleum (in spite of being declared a National Historic Monument). Also buried here are his daughter, Agustina, & her husband, Ramón Lista, an early explorer of Patagonia who deserves a post of his own. Perhaps next month…

Buenos Aires, Recoleta Cemetery, Olegario Víctor Andrade

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534. jorge larco

Recoleta Cemetery, Buenos Aires, Jorge Larco

Born in 1897 in Buenos Aires, Jorge Larco left with his family at the age of six to live in Madrid where he began studying art. He was certainly influenced by works being produced by the Generación del 98 at the time & even studied under Julio Romero de Torres. After a visit to México to receive instruction from Roberto Montenegro, Larco returned to Buenos Aires in 1916. Two years later he began teaching at the Fine Arts school… where he remained until he was 54 years old.

His style of art tended toward elongated figures as seen from these examples from the 1930s: Boxeador, a self-portrait & a sketch of María Luisa:

Recoleta Cemetery, Buenos Aires, Jorge Larco, Boxeador, 1930

Recoleta Cemetery, Buenos Aires, Jorge Larco, self-portrait

Recoleta Cemetery, Buenos Aires, Jorge Larco, María Luisa en el sur, 1931

He maintained close connections with Spanish artistic circles, as evidenced by this photograph of Larco (far left) with poet/playwright Federico García Lorca (middle) taken in 1933 or 1934:

Jorge Larco, Federico García Lorca, Buenos Aires

Larco passed away in 1967, but made sure his tomb stood out in Recoleta with twin burning funeral lamps & the entire structure wrapped with large metal poppies:

Recoleta Cemetery, Buenos Aires, Jorge Larco

The inside contains even more fantastic —if hard to appreciate— art. Two stained glass panels are difficult to visualize from the outside, but if the glass door happens to be open, peek in. Apologies for the poor quality photographs, but it’s the best we could do. One panel appears to be Mary kneeling at the foot of Jesus after descending from the cross. Another panel appears to be a monk reading the bible… St. Jerome is often portrayed with a beard, a book & a skull (among other symbols), or could this be St. Augustine? Any ideas?

Recoleta Cemetery, Buenos Aires, Jorge Larco, stained glass

Recoleta Cemetery, Buenos Aires, Jorge Larco, stained glass

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533. josefa v. de pujol

Buenos Aires, Recoleta Cemetery, Juan Gregorio Pujol

Built initially for his wife, Juan Gregorio Pujol found his way here too after passing away in 1861. Born in the province of Corrientes in 1817—just after Argentina earned its independence—much of Pujol’s life coincided with the new nation’s struggles.

Buenos Aires, Recoleta Cemetery, Juan Gregorio Pujol

Buenos Aires, Recoleta Cemetery, Juan Gregorio Pujol

Pujol graduated from the University of Córdoba with a law degree in 1838. After returning to Corrientes, Pujol obtained various government positions until named Governor in 1852. He worked with Justo José de Urquiza & Santiago Derqui to write a constitution that would be acceptable to Buenos Aires… always seen as problematic due to the region’s overwhelming economic power. Pujol did much to promote education & favor local trade in Corrientes, including aligning the province with Paraguay’s dictator, Francisco Solano López. Anything to avoid siding with Buenos Aires! In the end, Pujol had severe disagreements with Carlos Tejedor & Bartolomé Mitre & foresaw the coming civil war.

Buenos Aires, Recoleta Cemetery, Juan Gregorio Pujol

Pujol died in August 1861, still serving as Governor of Corrientes & one month before the Battle of Pavón ended the Confederación Argentina which he had supported & served his entire life. But Pujol’s most widely recognized contribution to Argentina was establishing mail service in Corrientes in 1856 along with the first postage stamp used in national territory:

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532. historic photo 11

Recoleta Cemetery, Buenos Aires, Histarmar, Borra, Broszeit

Juan Bautista Borra & Enrique Broszeit pioneered aerial photography in Argentina during the 1920s. Flying in propeller planes while taking risky positions for the best photos, they’ve left behind a valuable archive of Buenos Aires in its prime. More of their story can be found on the wonderful resource, Histarmar (in Spanish). Click on the above photo for a full-size version, found on the Histarmar website.

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