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Category: Business

425. miguel bencich

Recoleta Cemetery, Buenos Aires, Miguel Bencich

Born in Trieste, Italy in 1888, Miguel Bencich already had experience in the construction business by the time he immigrated to Argentina in 1909. His brother, Massimiliano, arrived Buenos Aires the following year. Together they began the well-known construction company, Bencich Hermanos, in 1915.

Recoleta Cemetery, Buenos Aires, Miguel Bencich

The sheer amount of real estate developed by these brothers is staggering. One building even bears Miguel’s name… its large domes easily stand out along Diagonal Norte in downtown Buenos Aires:

Buenos Aires, Diagonal Norte, Edificio Miguel Bencich

Since the majority of tombs in Recoleta Cemetery are for families & not individuals, it seems odd that both Bencich brothers are not buried together. Miguel passed away first in 1965, then Massimiliano followed in 1972. Latin phrasing plus the company initials on Massimiliano’s tomb implies they would remain together for eternity. How Miguel became separated from his brother is a mystery:

Recoleta Cemetery, Buenos Aires, Miguel Bencich

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407. familia josé c. paz ◊

Familia José C. Paz, Recoleta Cemetery

José Clemente Paz founded the newspaper “La Prensa” in 1869 with a commitment to independent journalism & respect for the private individual behind the public persona. Its circulation & influence became so great that there were foreign correspondents in most major capital cities… something uncommon for the 1870s.

Paz used his influence to become a representative, then senator, in Congress. He even served as the Argentine ambassador to France & Spain. He most likely had his eyes set on the presidency but never quite made it. “La Prensa” fell on hard times when Perón came to power. Criticizing the populist hero, “La Prensa” was conveniently shut down. It resumed operation after the Perón years, but readership had shifted elsewhere. Even though it continues to operate, circulation is very limited. However, the Paz legacy lives on in Buenos Aires: his gigantic Plaza San Martín mansion is now used as the Círculo Militar & the Avenida de Mayo newspaper office serves as a city cultural center.

Palacio Paz, Círculo Militar, Buenos Aires

The Paz family tomb is one of the highlights of Recoleta Cemetery. Two larger-than-life angels at ground level focus their attention above. The left angel reaches to the sculpture group while her body wraps around a giant anchor, but there’s no nautical meaning here. The anchor was used as a Christian symbol until around 400 A.D. & bears the signature of the tomb’s artist: Jules Felix Coutan (1904). He was the most important sculptor of the era… head of the École de Beaux Arts in Paris & commissioned for works on the French National Library as well as Grand Central Station in New York City. Paz definitely had some good connections:

Familia José C. Paz, Recoleta Cemetery

Familia José C. Paz, Recoleta Cemetery

Thanks to the angels below, the viewer’s eye is drawn to the sculptures above, best seen from a distance. A woman lies, collapsed, with an oil lamp in her hand. No flame comes from the lamp, representing death. Above her is an enormous open casket with a dove escaping. Some people link that bird with peace, but others suggest that it is the actual moment of death. The soul literally rises out of the casket to be greeted by a third angel. Two actions are present here: the covering the soul with a cloth as protection & pointing to the direction where they are going… up & away:

Familia José C. Paz, Recoleta Cemetery

Familia José C. Paz, Recoleta Cemetery

Whether looking at this image religiously or not, we should all hope our passing generates such beauty & peace.

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371. familia noel

Familia Noel, Recoleta Cemetery

Such a diverse family deserves lots of photos… especially since few people ever visit this tomb & not one of the more remarkable structures in the cemetery, surprisingly since a talented architect rests in peace here:

Familia Noel, Recoleta Cemetery

The Noel family arrived in Argentina from the Basque Country in the mid-1800’s. Benito began producing sweets & had immediate success. The company logo played off the family name & its association with Christmas. Benito passed away in 1916, but his children would continue the family business & become famous in other areas. A plaque for Benito reminds the visitor, “Don’t cry for him, imitate him”:

Chocolate Noel wrapper

Benito Noel, Recoleta Cemetery

One son, Carlos Noel, managed the chocolate factory located in La Boca. Although recently sold, the building is still standing on Avenida Regimiento de Patricios. However, Carlos is probably best remembered as mayor of Buenos Aires in the 1920s under President Marcelo T. de Alvear… that’s when the President of Argentina had to pick who ran the capital city. No elections were required, so Noel family connections were obviously very good:

arlos Noel, Recoleta Cemetery

Fábrica Chocolates Noel, La Boca

Fábrica Chocolates Noel, La Boca

Another son, Martín Noel, became one of the most famous architects of the 1920s & 1930s. He trailblazed a new style of architecture which combined Art Deco with design elements from indigenous American cultures as well as Spanish Colonial forms. Known as NeoPrehispanic, his best example in Buenos Aires is the Museo de Arte Hispanoamericano Fernández Blanco… formerly the family home. Martín also designed the Argentina pavilion for the 1929 Ibero-American Expo pictured below:

Martín Noel, Recoleta Cemetery

Pabellón Argentino, Martín Noel, Sevilla

Pabellón Argentino, Martín Noel, Sevilla

He even designed the decoration on the E Line of the Buenos Aires subway… all tiles depicting different regions of Spain:

Buenos Aires, subte, Línea E, tiles, azulejos

Chocolate Noel succumbed to the wave of privatization in the 1990s in Argentina & was purchased in 1994 by Arcor. While Arcor is an Argentine mega-corporation, the Noel brand was discontinued. Just like Terrabusi’s crackers, Noel chocolate is another Argentine classic gone forever.

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356. agustín zamboni

Agustín Zamboni, Recoleta Cemetery

Born in Italy in 1883, Agustín Zamboni studied in Milan & accepted a position as CEO of the government-owned electric company in Montevideo, Uruguay in 1907. Eight years later, he crossed the river & occupied the same position for the Compañí­a Italo-Argentina de Electricidad (CIAE). When CIAE President Juan Carosio died in 1959, Zamboni took over that post as well. In 1964 he renounced the position of CEO but remained president of the company until his death in 1969.

Agustín Zamboni, Recoleta Cemetery

The largest electric company in town left a unique mark on Buenos Aires; they covered their substations with a bit of medieval Italy… large & small brick castles dot most neighborhoods, usually stuck in between houses or silently disintegrating while people walk by unaware they exist.

CIAE, Puerto Madero

CIAE, Usina de la Música, La Boca

Buenos Aires went electric in 1887 thanks to a German company (CATE), but their monopoly was broken by the CIAE in 1914. The Swiss-Italian joint venture had a concession until 1962, but a lot happened during that time. Other companies came & went, its contract was extended, & neither Perón nor Frondizi nationalized them, but Isabel started the process. Incorporated into SEGBA in 1978, the remaining CIAE structures were donated to the city government in 1987. The generator situated in Puerto Nuevo —the largest of them all— passed into private hands in 1992.

CIAE, Puerto Nuevo

For further information, read a 12-part series about the history of the CIAE on our sister site, Endless Mile.

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330. alfredo giusti

Alfredo Giusti, Recoleta Cemetery

A single plaque states that Alfredo Giusti was the director & president of the Droguería de la Estrella for almost half a century, from 1906 to 1950:

Alfredo Giusti, Recoleta Cemetery

As the oldest surviving business in Buenos Aires, the Droguería de la Estrella sits one block from Plaza de Mayo on the corner of Alsina & Defensa. The shop also has the distinction of being the first pharmacy in the city when it opened in 1834. Then known as the Farmacia de la Estrella, its location across the street from the Iglesia de San Francisco began a trend… all early pharmacies were placed near churches so patrons could use their bell towers as beacons.

Farmacia de la Estrella, Buenos Aires

In 1969, the building was saved from demolition & pharmacy murals restored to their original condition. Currently, the Museo de la Ciudad occupies the upper floor & uses some of the storefront for window displays about life in Buenos Aires:

Farmacia de la Estrella, Buenos Aires

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