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Author: Marcelo

335. diario extra, 21 jul 2009

Interview with Diego Zigiotto

Guidebook for the city of the dead by Marcelo Metayer

The author of “1001 Curiosities of Recoleta Cemetery” assures that “there are a lot of people inside that no one knows about” & that he has more than enough material for a sequel.

Diego Zigiotto, a Buenos Aires journalist with a degree in tourism, is also a specialized guide in the city. In 2007 he published “1001 Curiosities of Buenos Aires” & his experience with the most famous burial site in Argentina led him to write his most recent work, “1001 Curiosities of Recoleta Cemetery.”

You’re a newspaper journalist & a tour guide. How do the two professions fit together?

By chance. I was already a reporter, I worked six years in radio, later I quit & began working in tourism. When I started to study tourism (*note: Argentina, like most countries in Europe, has a degree program for tourism), a professor told me: “Since you’re a reporter, you should be a tour guide.” It wasn’t a bad idea, so I began studying to be a guide. I created new routes, one of them being “Curiosities of Buenos Aires.” People told me, “Why don’t you give us something written? It’s a lot of info.” So I began writing. When I had a little over 200 pages, I presented it to a publisher (Cuatro Vientos), put up some cash, family & friends chipped in, & “1001 Curiosities of Buenos Aires” came out. Later the publishing house Norma called where it was re-edited & both careers came together.

How did you start with the book about the cemetery?

I’d always liked this cemetery & for the past two years I’ve worked as a voluntary guide. There were already two books about the cemetery, that of (Oscar) López Mato with good photos & information but with errors, & that of María Rosa Lojo that has some 10 or 12 historical short stories which can’t be used as factual. So I said, I’m going to do something different. There are a lot of people here that no one knows about, but the publisher told me “lighten up a bit because the book will be like a dictionary.”

Pagina 12, Marcelo

But there are still a lot of names, over 200…

A bit over 300. And several weren’t included. There were 450 & we cut it down to 315. We removed many because they said we couldn’t justify including them all.

You propose that people send you information to do an update or even a sequel to this book.

Yes. In fact, we began to take out information & they said, “it’s good for a second book.” Later I thought, who would buy it? I still gather info anyway. Lots of specifics were taken away from different entries… how do you put in two pages everything that these people did?

What’s very interesting about the book is that besides historical summaries, there are many anecdotes.

I found them by immersing myself in libraries. I would have liked to have had more time for that… for full-time research & further investigation.

What kind of response have you had?

Those who have written me liked the book. A 16-year old kid told me, “I read your book by mistake. I bought it thinking it was urban myths/stories, but I loved it.” A descendant of the García Mansilla family who has a blog with a lot of their personal history wrote a post praising the book.

How many people worked with you?

Three people. A friend who works in a library searched for biographies for me, & two women from the cemetery researched information in burial records when I couldn’t come myself.

Of the stories which were removed, which do you regret not including?

We argued a lot about those of Zully Moreno & Luis César Amadori. When people take a guided tour & you tell them Zully Moreno is here, they’re interested because they know her & they’ve seen her onscreen. Another that was deleted is the Club Hotel of Sierra de la Ventana.

What is your next project?

I’m not writing anything now. One project was to do “1001 Curiosities of Argentina,” but it seems a bit ambitious.

And the other cemeteries of Buenos Aires?

Another project was Chacarita, but it wouldn’t sell as well & it doesn’t have as much glamour. Still, there are tons of people (Gardel, Bonavena, the Actors & SADAIC pantheons) to fill two books.


Original article in Spanish not available online. The lead photograph was taken by Marcelo Metayer.

Zigiotto mentioned to Marcelo during the interview that he came across this blog several times while looking for information about Recoleta Cemetery, & he was surprised information about the cemetery was available in English. I checked his bibliography for a mention of AfterLife—it’s currently for sale at the cemetery gate for 58 pesos—but no credit is given. That’s too bad.


319. imágenes de la muerte

Marcelo, Suplemento Cubo

La Plata newspaper El Día recently published a compilation of Marcelo’s photos in their cultural supplement Cubo. The March 19th online gallery (unavailable as of 2020) consisted of several cemetery photos, some of which were taken in Recoleta Cemetery. He mentioned participating in this blog, but unfortunately no link was published.


Update 26 Mar 09: A link to this blog was added as well as many other photos by Marcelo. We’re finally getting some real press!

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066. mansions of the night

Marcelo writes about a recent photo exhibit:

Even though I’ve loved photography for a long time, I never had the chance to show my pictures in a exhibition. A couple of months ago, Eugenia—a dear friend from the “El Acorazado de Bolsillo” poetry magazine—offered to let me set up a one-night show in an old house in the city of La Plata (70 km south Buenos Aires). I had no doubt about the topic: images of cemeteries. I also chose the date for the show, November 2nd, traditionally known the Day of the Dead in many Western cultures.

I had a huge amount of photos to choose from, but most of them were taken with my old BenQ camera with very low resolution & I couldn’t make good large-size prints with them. But a week before the exhibition, Robert & I went again to Recoleta Cemetery & found a sky full of clouds, perfect for the macabre style of pics I wanted. Those photos were the core of the show.

Las Mansiones de la Noche, Marcelo Metayer

The exhibit was named “Las Mansiones de la Noche” and was a really great experience… a lot of people looking at the photos, discovering images & unexpected tricks of shadow and light. It’s as if the photos weren’t mine anymore… they belonged to the beholder.

Las Mansiones de la Noche, Marcelo Metayer

Now I’m trying to exhibit the pics in other places. Next time it could be in Buenos Aires… who knows?

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