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Author: Robert

097. sjq

Sixto J. Quesada, Recoleta Cemetery

Founder of the Banco Popular Argentino in 1887, Sixto J. Quesada preferred cooperativism over corporation just as massive immigration to Argentina began. By definition, a co-op operates under a one person, one vote system while corporations give more authority to those who own more shares in the business. Quesada, along with a group of friends, created this new bank with the idea of promoting national growth on a more equalitarian basis than other models could offer.

Sixto J. Quesada, Recoleta Cemetery

A 1926 national law increased government intervention in cooperatives & many of them incorporated to stay in business. The Banco Popular Argentino switched sides & became a corporation too, managing to stay afloat until the 1980s. These days it’s nothing but a memory.

Sixto J. Quesada, Recoleta Cemetery

As a prominent banker, Quesada also wrote various books about the Argentine economy which are quoted from even today. In the 1901 publication “Historia de los Bancos” he writes about Argentina:

“The budget is in a state of constant deficit. There is no external or internal credit. So where do the resources to cover current expenditures come from? It is impossible to raise taxes for the moment, due to the current commercial & industrial situation. [Doing so] would be to precipitate its ruin.

The only recourse is to submit ourselves to living frugally, almost Franciscan, so that by economic means, previous obligations can be paid. The administration should take a moral stand so it can regain the credit which it lacks today.

Those who live off politics should rethink their actions–the very ones who praise themselves for serving the nation when they have only lived off of it & thus off of taxpayers as well. The sickness has reached a critical level, today the nation is anemic. They cannot continue sucking its blood but instead they should nurse it so the nation can survive & recover.

Illusions abound by those who think they can continue doing politics the old way & that the country can withstand anything. They have killed the goose that laid the golden egg & should resign themselves to work; the party is over. Work & honesty will be the only thing that will regenerate our country.”

Sixto J. Quesada, Recoleta Cemetery

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096. carlos f. melo

Carlos Francisco Melo, Recoleta Cemetery

Born in the province of Entre Ríos in 1872, legal studies brought Carlos Francisco Melo to Buenos Aires by the end of the 19th century… just when the city & the nation were coming into their own. Melo received acclaim for his doctorate thesis & was rewarded with important government positions. A brief stint as a representative in Congress for the UCR party lead to appointment as president of the University of La Plata in 1920. Melo returned to politics as candidate for Vice-President in national elections but his ticket failed to get the vote. After the military coup of 1930, he was appointed head of the National Library, a position Melo held until his death in 1931.

Carlos Francisco Melo, Recoleta Cemetery

Besides his political & educational duties, Carlos Melo was recognized during his lifetime as a writer & poet. Although his works are not yet available online, a short verse from Melo’s “Piedras Rotas” (Broken Stones) can be found over his tomb:

Cuida tu hora. Porque hay en cada vida una hora única, es la de la gracia, o de la caída, de la justicia o de la iniquidad, la del amor, de la inspiración, de la torpeza, la de la muerte. Descuidado: cuida tu hora.

“Take care of your hour. Because there is in each life one unique hour, it is that of grace or of downfall, of justice or of vice, of love, of inspiration, of clumsiness, that of death. Careless one: take care of your hour.”

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094. funny how time flies

An hourglass represents the notion of time passing. The sand is trapped & conveys the idea of time being limited or finite. Once the sands run out, no one is around to flip the hourglass over again.

Angel wings are common Christian symbols of heaven & could signify two possible things when coupled with an hourglass: demonstrating your fate after the sands of time run out, or reinforcing the fact that time is fleeting. It provides a subtle reminder to make the most of every moment.

Along with the skull & crossbones, the winged hourglass is the most ubiquitous symbol in Recoleta Cemetery. One even appears on the grand entrance gate:

Winged hourglass, Recoleta Cemetery

Besides acting as the logo of this blog, the symbol appears in a variety of forms… carved directly into the mausoleum itself:

Winged hourglass, Recoleta Cemetery

…incorporated into wrought-iron doors:

Winged hourglass, Recoleta Cemetery

Winged hourglass, Recoleta Cemetery

…as a separate sculpture:

Winged hourglass, Recoleta Cemetery

…or, as in this personal favorite, etched into glass:

Winged hourglass, Recoleta Cemetery

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093. historic photo 2

Frank Carpenter 1923 photo of Recoleta Cemetery

Avid world traveler Frank G. Carpenter gets credit for this photo of Recoleta Cemetery. Included in the 1923 book The Tail of the Hemisphere: Chile & Argentina, Marc of Asado Argentina kindly scanned this for me along with many other wonderful photos of Buenos Aires in the 1920s. Thanks!

The accompanying text reads:

In the Recoleta Cemetery, the dead sleep in little marble palaces. It is divided into paved streets with the homes of the departed, a house and a lot for each rich family and humbler, more congested quarters for the poor.

A stunning photo for the lack of edification around the cemetery—dozens of tall buildings surround it today—much has changed inside the cemetery since then as well. After staring at this photo for 20 minutes, I found two landmarks which finally allowed me to pinpoint the location from where it was taken… the bell tower of the Iglesia de Pilar.

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